- I’m glad Tatsuo Sato, for the most part, delivered the things I wanted. Or at least, it’s on the menu if it isn’t in the show already. Time will tell if this will be any good, of course. But in the season of judging-book-by-cover I think we’re well ahead of the curve on episode 1. Tatsuo Sato is also the really only reason I’m looking forward to this (but…not Rinne no Lagrange for some reason).
- Speaking of judging book by cover (or by Director), I don’t know why so many people gets turned off just by the title and the way how this show tries to lure people in by its protagonist. It’s a little post-Haruhi-ish I suppose, and some people are just allergic to that. If it was only like that. And okay, it’s fine to get hung up on the name. Even if it seems a lot of people get hung up by the name. But dropping the show or not even trying it because of the name? Really? Okay they use the word “Bodacious,” which I suppose may not fit the idea of the show so well (time will tell), but they also used the word Pirate, which, as we will see, is not even correct. But criticizing choice of English words for an anime to this extent? Com’on man.
- And one more thing about the names: “uchuu kaizoku” is …probably less of a mouthful than “uchuu privateers” or some equvalent? And I guess everyone knows who is a space pirate. Marika has some high standards to live up to!
- The basic premise is that in the age of seafaring colonization, some independent entities were either hired or pardoned by rival governments to rage wars on opposing parties. The word is better used as Privateers. Letter of Marque and all. Copy and paste that into our new SF anime and you get how Marika becomes a “pirate.” But if they are legal pirates then how does it work? That exact question is actually raised within the show when Marika reads up on all this. Seems to me the show might actually, you know, involve this question in its script beyond posing it?
- The basic idea of this anime is an anachronism. I mean, don’t we use the concept of “security contractor” for this basic idea nowadays? So I suppose it isn’t a surprise when the show also asks the question about anachronism in a literal sense. Well, it is still surprising because it’s awfully 4th-wall-ish. It was used in the context of how a maid cafe could still exist–I think people who are digging their space pirates probably aren’t digging Akiba maid cafes unless they enjoy maid cafes, an overlap that is probably not as big as some may like. And I think a lot of people get the wrong idea about the show because it was promoted in a way where Marika serves at a maid cafe. Well, Ruri serves in a cat pajama too? LOL. I guess Sato still had an explanation for it, maid outfit or cat outfit alike.
- All this is just to say there are a lot of room in the script to flex wit. And I think that is single-handed the best thing that makes Nadesico such an epic and classic SF anime. That self-awareness is signature.
- The fundamental mastery of science fiction is the ability to explain things away sufficiently. The key here is sufficiently. A lot of anime adaptations are lazy in this regard, and a few explains the wrong thing too much (think Madoka). Sato’s? They’re top notch and spot on.
- Looking at some first impression posts, I see people complaining about pacing. I think those people can DIAF. The pacing is actually pretty solid for a show that has to expand so much effort on world building. If anything I think the pacing is well above-average, compared to shows like Fate/Zero.
- Also, that opening sequence where Marika lands that simulation shuttle? Totally unrealistic. But slick like Satelight’s space mecha stuff.
- I find the coloring on the characters…also typical of Satelight. Well, nothing wrong with that per se.
- Wine in a beer mug, LOL.
Makes me wonder what would Tatsuo Sato do with a Yamamoto Yohko-sort of story. Is Mouretsu Space Pirates it? Maybe?